Raja Jasti’s Blog - Renaissance Thinking

October 28, 2009

CBS on Web Video

Filed under: Entertainment, Internet, Media — Tags: , — Raja @ 1:13 pm

Peter Kafka interviews soon to be leaving CBS digital boss Quincy Smith who sees Hulu as a problem,

Peter Kafka: Since you’re going to be advising CBS’s Web video strategy, why don’t you lay out, for the record, where things stand?

The other side of the Web, the side that is most thought of by many journalists, is the threat, of an IP-deliverer of video. And how you turn that threat into an opportunity.

And so from that perspective, as  you know, we didn’t go ahead and say, “OK, we’re going to lock down and stream, with all of our other peers in broadcast, and come up with the same rules, and embed and right-click this and go away.” I’ve never had a beef with Hulu. Hulu’s always worked as a great service. That’s part of the problem.

As a network, we need to make sure that our content is being seen where the dollars matter. And right now that’s on air. Opportunities like TV Everywhere — we’re not putting all of our eggs in that basket, though we are big advocates of it — are ones where you can actually take and expand and extend the television market online, so it doesn’t matter what screen you watch CSI on: What matters is that you watched it, it counts and you saw the ads.

But until that happens, it’s crazy to just stream the shows for zero economics. When in fact you can make a lot more money doing things that are additive and complimentary to the rest of the CBS line. That’s where CBS interactive comes in now.

Kafka: But TV viewers are showing an increasing interest in watch their programs on the Web — whether its from legal services like the Web or illegal torrents and pirate sites. Don’t you need to reach them where they are?

Now, if you really look at those numbers, what they’ll say is [online and offline video are] both growing, right? We’re having the best year ever as America’s largest broadcast network. and I think that 99.9 percent of that — this is the Quote I’ve never been able to get in there — is that’s [because] of the great content that we have. There’s some infinitesimal basis point that’s relevant [to CBS ratings because] we are making sure that when people watch it, they’re more inclined to watch it on television. For now.

Once that solution moves, once those economics move – whether that’s more ads, [higher] cpms, more ad buyers… You and I can say all day long, “We’re sold out on web video. That’s going really well. It’s sold out.” Well, no kidding it’s sold out. It’s a $700 million market. The television market is $120 billion. And of that $700 million, half of those [ad buyers] are spending  90 percent of their time doing Google keywords, not buying online video.

The key is, how do you turn television buyers into video buyers? And that’s where a solution like TV Everywhere comes into play.

And by the way, looking at [Hulu CEO Jason] Kilar’s comments the other day, in Colorado [at an industry convention], he sees that too. He’s more sophisticated on this stuff than most anybody. From the perspective of, he understands that’s where the big dollars are. And so he probably went at it as, “I’m going to aggregate all the people first, so hopefully things like TV everywhere come to us.” From our perspective at CBS, we’ve got to go to them.

I don’t hate Hulu. Hulu’s world class video viewing. What I don’t understand is, why license all that content to something that works that well, that seamlessly, yet — without the economic model around it?

October 17, 2009

Death of Cable TV

Filed under: Entertainment, Internet, Media — Tags: , — Raja @ 3:37 pm

Is there a need for cable TV in the world of ubiquitous broadband? If your broadband can give you access to all the TV content you need, who will pay for cable TV? I am afraid the writing is on the wall and the cable TV companies know it and are scared to death. John Biggs at CrunchGear has a fantastic article on this topic.

What I’m doing is downloading TV shows and sending them to a media player near my TV. I’m doing this because there exist two separate infrastructures that interface imperceptibly at one key point – the official cable and online distribution networks and the shady underworld of pirate distributors. Right now that interface is a trickle, but it will soon be, pardon the pun, a torrent.

The first infrastructure is the studio system. While I’m talking specifically about TV here, we can also extrapolate to talk about movies and music. This infrastructure is based on the advertising or distribution model in that they make all their money placing advertisements around their content or by placing their content onto physical media. But what is important to note is that the TV industry is in a completely different business from the music and movie industry. They’re not “selling” a product. They’re selling the space around a product. They they commission artists to make that product better in hopes of raising the price of the space around that product. They sell DVDs, sure, but that’s a sideline.

But when I take that content out of its context, like meat out of an oyster shell, I strip out their value and shuck the rest. But technology has outstripped that analogy and television has evolved into a processable set of events – shows – whereas before it was an event, each show linked together into infinity.

TiVo, to continue the analogy, created a way to sell jarred oyster sauce. The device contained the content, sure, but it tried to keep some of the advertising intact. However, what I’m attempting to do buffets into an entirely new infrastructure, one none of us wholly understand.

It consists of two disparate parts. The first is a shady underground that can offer these shows, stripped of commercials, a few minutes after they’ve aired. How they do it is a topic for another story, but needless to say popular shows are available in less than ten minutes after they air on the Eastern Seaboard. It is a testament to the dedication of a few TV lovers that these shows are available, for free, as they happen.

Then we have the web arms of the major TV studios as well as the clips cable stations post on their sites. These are, to a lesser extent, a re-canning of those same oysters in the hopes that the shorter advertisements wrapped around them will maintain the revenue offered by TV broadcasts.

So what’s my point? First, I believe some media will survive the move to the web better than others. Book publishing, for example, may change formats but the inherent problems of pirating a physical book make them weak targets for piracy. I also believe that the medium of television is also not conducive to large scale piracy because there is so much of it. I can shuck all the oysters I want but there will still be 24-hour news channels, old movie networks, and sitcoms that someone out there will watch even if the pirates are uninterested in recording and distributing them.

Now, back to that interface between the two worlds. Because pirates can’t steal everything at once there is no impetus to stop up this hole. The highly regimented and very well organized system of content capture that is going on exists as a labor of love and not as a money making venture. It allows guys like me, guys who no longer want to be beholden to a wonky TiVo, for example, to get HD content quickly and easily. However, there are more guys like me every day. To say that television as we know it won’t exist in a decade is quite far fetched but it is a possibility. How, then, should a TV broadcaster react?

First, I think TV broadcasters need to take a page from the pirates playbook and make their hit shows available online in downloadable form sooner than later – and not on iTunes for $2.99 an episode. The process I went through was relatively painless but decidedly nerdy. The next generation, however, will find new and better ways of doing the same thing, thereby stripping out the content with reckless abandon. TV studios still have some time to save their skins, just like the book industry, but it won’t be long before something comes along and ruins the party. They need to do what the music industry didn’t do – make getting sanction, high quality content convenient. It took me a week to set up my little Rube Goldberg DVR but there’s no telling how long it could take someone with a little more savvy.

Why not, for example, offer TV subscriptions to individual series. The era of channel surfing is almost near its end and discovery of new content through mere chance will soon be gone. This would allow for absoltute control over a series and reward popular series month after month. Sadly, cable companies just won’t do this. As Doug noted in our chat room “Cable companies keep saying a la carte wouldn’t work but in reality they’re saying it wouldn’t work for them because its too much work.”

Cable TV companies clearly know this and their TV everywhere initiative is aimed at addressing this trend. They want to control who watches their content online using technology which I think is a waste of time. If people want to watch TV online they will watch it. It is just a matter of who will provide it and monetize this. TV everywhere is not the answer.

July 8, 2009

Decoding Hulu’s Success

Filed under: Entertainment, Internet, Media — Tags: , — Raja @ 8:45 am

Saul Hansell tries to do this in his NYT post.

Many people watch free, advertising-supported episodes of shows on sites like Hulu.

Why were so many people in the technology world wrong about Hulu? It was an idea that seemed like a relic of the worst excesses of the dot-com era: a portal for content run by a joint venture of media companies. Could any venture have more going against it?

Portals, of course, are passé in a world where search engines point people to content spread all over the Web. Who needs professional content when users make their own? And if there is anything more clueless than a big media company, the Silicon Valley wisdom goes, it is a joint venture of several media companies bound to undercut each other with crossed agendas.

Yet Hulu, founded in March 2007, is triumphant when most other video sites have languished.

Most recently, Joost has retrenched and its chief executive, Mike Volpi, has left that spot to join Index Ventures, one of the company’s backers. Joost was notable mainly for the pedigree of its founders, Niklas Zennström and Janus Friis, who had quite a pedigree of upending traditional industries. Their free Kazaa file-sharing service continued the work of Napster in undercutting the $15 price for CDs. And Skype, the Internet phone service, continues to cause trouble for the cartel of phone companies and governments that keep international phone rates high.

In television, however, the empire struck back. Here are a few reasons why Hulu has been successful where others failed:

Putting network TV on the Internet is not disruptive

The business model of TV networks is free programs paid for by ads. There is nothing technically or financially revolutionary about putting shows on the Internet. And thus the networks didn’t have a weak spot that could be exploited by a newcomer, as Kazaa and Skype did in their industries. Joost hoped that a twist on Kazaa’s peer-to-peer technology would reduce the transmission costs of Internet video, but the price of bandwidth has fallen so much that this didn’t provide any edge. Ultimately, the networks had all the power to decide which sites could distribute their programs. While CBS chose to spread its content widely, there was nothing that forced NBC and Fox to license their content beyond Hulu, cutting out Joost and the others.

People like professional video and see it differently than user-contributed video

It seems odd to have to say it, but “American Idol,” “Heroes” and the rest of the prime-time line up have many millions of fans, who don’t get the same satisfaction from YouTube (even though many of them turn to YouTube for other entertainment). So not only did Hulu have something people wanted, it had a brand promise that was clear and distinctive: Hulu is where you go for network TV. That’s different from YouTube, which is where you go to watch the biggest collection of video that isn’t on TV. Hulu, in effect, is Amazon.com to YouTube’s eBay.

Meanwhile, the brands of all the other video sites—Joost, Veoh, and so on—didn’t mean anything in particular at all. It certainly helped Hulu cement its position as the icon for professional content that the company built a particularly attractive and easy-to-use site. But I think being first with a critical mass of content and the right brand position was more important.

Portals are a low-margin business

Hulu has proved that there is value in having a portal for video. People go there as well as to NBC.com and Fox.com. That’s why Disney has decided to bring ABC into the venture. But that value is modest compared to the power of the companies that actually create the programming. If a company like Hulu demanded too much of a cut of the ad revenue, a network certainly could pull its programs off and its audience would still only be one click away. That’s why it makes sense for Hulu to be owned by the main networks it distributes. It can help its owners mainly by making it easier for them to find viewers and only secondarily making a profit. Joost and the rest needed to make money, and enough of it to satisfy venture capital investors, by negotiating a large enough share of the ad revenue with the networks.

All this makes me believe that Hulu is an exception that proves the rule. Running a portal is a very tough business and unless you have exclusive access to very valuable content, along with a distinctive brand premise, you are not going to be able to make much money with one.

June 25, 2009

The impact of Comcast Time-Warner Deal

Filed under: Entertainment, Internet, Media — Tags: , — Raja @ 3:13 am

Bits has an analysis on how the deal between comcast and time-warner will blast open TV.

For people who hope the openness and flexibility of the Internet will come to mainstream television, the deal announced today between Comcast and Time Warner is great news. They just don’t see yet how it blows apart the tight bond between cable content and cable delivery.

On the face of it, the deal is all about controls, rules and limits. The two companies are going to test a method for people who pay for Comcast cable TV to watch Time Warner’s cable networks, starting with TBS and TNT, on the Internet. Some very thoughtful technology bloggers have railed against the idea. On Techdirt, Mike Masnick wrote:

Rather than embracing what the Internet allows these companies to do, they’re trying to remove that ability, and make it act like good old television.

Om Malik, on GigaOm, asked why not simply put all cable networks online for free, just as broadcast networks are doing on sites like Hulu:

Cable operators need media company’s channels to overcharge the working stiffs like you and me. Media companies need the cable operators to share subscription revenues to pay for their highly inefficient and archaic businesses.

They’re right of course that this deal, which is meant to be a model for the entire cable and pay TV business, is a response to open video on the Internet to the existing TV business. But Comcast and Time Warner are accepting the reality of the wired world: people want everything, everywhere now.

So why not let the 92 percent of Americans who subscribe to cable or satellite TV watch the channels they already pay for on their computers and cellphones? In the Comcast and Time Warner arrangement, there is no extra charge, so this simply gives customers more choices.

The Time Warner and Comcast deal blows apart the link between content and delivery, and over time that will create many more choices for consumers. Initially, it doesn’t look that way of course. Only cable (or satellite) subscribers get access to the content right away. And then only for a bundle of networks, whether they want those particular networks or not. But once the infrastructure is in place for cable networks to make sure that only paying customers can watch their shows, it will open up a wide range of other business models.

Suddenly, you won’t have to buy your programs and the wires to your home from the same company. It’s not at all hard to imagine “DISH without the Dish,” an Internet-only programming bundle from the satellite company. And then Web sites like Hulu or Netflix or new startups could go to network owners and buy content to sell.

Mr. Masnick and Mr. Malik seem to believe that the media companies are going to sell their networks only through existing cable companies. I don’t see that. The networks have no long-term interest in turning down any distributor who has the money to pay the going rate for their content. And Washington wouldn’t put up with content companies favoring some distributors over others, just as cable networks were forced to sell to satellite companies as well as cable operators.

Of course, the pricing and terms may not be exactly what consumers want. The media conglomerates now force the cable companies to buy their channels in one package — to carry ESPN, Disney wants systems to offer ABC Family as well. They may try to keep selling these bundles as new distributors crop up. With more options and more competition, over time the market will sort out the right products and prices.

This doesn’t mean the demise of the cable systems by any means. They have been very successful selling a bundle that includes a wire to your home and several applications that use the wire — voice-calling and video programs. Many people will still vote for that convenience, especially if the video programs follow them to other devices.

The Time Warner-Comcast deal announced today creates the technical architecture that allows content and distribution to be separate. And that will enable exactly the sort of openness, and flexibility that technologists root for. (But you may still have to pay money to watch that football game.)

May 12, 2009

Nightline + twitter = a new web show

Filed under: Internet, Media — Tags: , — Raja @ 10:16 am

‘Nigthline’ is teaming up with twitter on a new web show.

Nightline Twitter

“Nightline” is expanding its ongoing relationship with Twitter to develop “NightTline,” a new half-hour digital program hosted by the show’s anchors and correspondents that provides a forum for viewers to simultaneously discuss and debate the news of the day through the prism of Twitter.

It will be available for viewing on the “Nightline” page at ABCNEWS.com. It can also be viewed on ABC News Now, the network’s 24-hour digital channel. New, unique visualization of Twitter using Pixel touch screen technology will be employed for the first time on the site.

“Nightline” has been a pioneer in its embrace of Twitter,” said James Goldston, “Nightline’s” executive producer. “This new collaboration provides an ideal venue for news and Twitter enthusiasts alike.”

The first episode of “NightTline” will be broadcast on Wednesday, May 13th at 12:30 p.m. ET. Episodes will take on the program’s popular “Face-Off” model, a live debate on issues being discussed on the national stage, which “Nightline” has made successful in its recent on air programming.

This Wednesday’s show takes on the question: “Is torture ever acceptable?” Terry Moran will anchor the program. The debaters include Andrew McCarthy, a former U.S. attorney for the southern district of New York who believes waterboarding is not necessarily torture, and Matthew Alexander, who served in the Air Force for 14 years and believes waterboarding is always torture.

To date, “Nightline” and its anchors and correspondents have more than 1 million Twitter followers.

May 9, 2009

Hulu not a threat: CBS CEO

Filed under: Entertainment, Internet, Media — Tags: , — Raja @ 9:36 am

Les Moonves, CEO of CBS, says that Hulu does not not hurt TV.com, CBS backed online video destination.

CBS Corp. (NYSE: CBS) isn’t threatened by Walt Disney Co. (NYSE: DIS)’s move to join Fox Broadcasting Co. and NBC Universal on Hulu LLC , CEO Leslie Moonves told analysts on the company’s first-quarter earnings call.

When asked if the addition of Disney and ABC.com content to Hulu would hurt the value of CBS Interactive’s TV.com, Moonves said TV.com will perform well on its own.

“TV.com is doing extremely well. We like the ability to control our own content — where and when it goes. We don’t like the idea of being exclusive to Hulu. It’s not to say one day you won’t see CBS content on Hulu, or Hulu content on TV.com. But this gives us the freedom to place our content wherever we want,” Moonves said on the conference call Thursday.

“We wish Hulu well. We think it will do well. But we think TV.com will do extremely well, and we will be in control of our own destiny,” Moonves added.

CBS picked up TV.com in its acquisition of CNET Networks last year, and it relaunched the site, which is part of its CBS Interactive unit, in January.

May 2, 2009

Cable’s TV problem

Filed under: Entertainment, Media — Tags: , — Raja @ 8:44 am

Saul Hansell at NYT has a very insightful post on the cable business.

I’ve been looking closely at the recently announced first-quarter financial results of Comcast and Time Warner, the country’s two largest cable systems.

Matt Rourke/AP

Over all, these companies are doing quite well, making more money than ever, with lower capital investment. But if there was one weak spot jumping out of the numbers, it was not their Internet business but their traditional TV service, where the cost of paying for content to put on all those channels is rising faster than subscription fees.

Some observations:

Cable is a good business. Revenue at both Time Warner and Comcast rose 5 percent, a growth rate that many companies would kill for in these lean times. Their various measures of operating income and cash flow rose a bit faster than revenue because they’ve been able to keep a handle on costs.

The fastest-growing expense is programming. The money the cable operators pay for the rights to channels like MTV, CNN and ESPN eats up just under $4 of every $10 they take in selling video service. Programming cost $1.0 billion at Time Warner in the first quarter, up 8 percent. At Comcast, programming cost $1.8 billion, up 9.6 percent.

Both companies were able to persuade more customers to upgrade to digital tiers that offer more channels — and cost more. But costs to the cable companies have been rising for all sorts of programming, especially some of the new sports networks that have high monthly fees. For example, the National Football League is involved in contentious negotiations to renew its contract with Comcast. It is reportedly asking for 80 to 90 cents per subscriber per month (year-round, not just in football season), a hefty increase from the last contract signed four years ago.

Still, of all the services offered by cable companies — TV, Internet and telephone — the core television service has by far the lowest profit margins.

The operating cost of providing broadband service is low and getting lower. At Time Warner, the cost of connecting to the Internet and other direct costs of providing its high-speed data service fell to $33 million, down 18 percent. That represents just 3 percent of the revenue it collects for broadband service. But it doesn’t include the capital expenses needed to upgrade the network. Comcast reported $120 million of costs for high-speed data service, down 13 percent from a year ago. That represents 6 percent of its data revenue.

The biggest savings is coming from lower set-top box costs. Moore’s Law has come to rescue the cable video business. Time Warner spent only $360 million on boxes, cable modems and other equipment installed in customers’ homes in the first quarter, down 19 percent from a year ago. Overall capital spending, including building the network used to transmit video data and phone, fell at both companies.

The biggest future investment relates to expanding high-definition video. Both companies promised investors that they were going to keep a handle on their total capital spending, but they are also investing in projects meant to reconfigure their systems to offer more HD video channels. Comcast is going to eliminate most of the analog channels it now carries, which allow customers to get basic cable stations, like MTV, on old-fashioned “cable-ready” sets. This will inconvenience millions of customers who will now need set-top boxes, but it will reclaim a great deal of capacity for use by HD channels, Internet service and on-demand video.

Time Warner is solving the same problem in a different way. Since not everybody in a neighborhood is watching every channel at any given moment, it is deploying technology called “switched video” that will broadcast some channels only when people want to see them, making room for HD versions of the popular channels.

Prices for video services are going up, but data prices aren’t. In general, the cable companies have been able to pass through at least some of the costs of their increased programming costs to consumers. At Time Warner, for example, the average customer paid $66.02 for TV service, up 4 percent from a year ago. (That’s a combination of price increases and upgrades to more expensive packages.) But broadband service prices have been largely flat. Time Warner eked out a 1 percent increase in average revenue from data to $41.57.

There are two takeaways from all this. The broadband business is doing fine, as costs are coming down. Cable executives do worry that if costs rise as they expect because of surging online video use, they will need to find some way to get prices going up the way they are used to in their video business.

The bigger question is what happens to the video business. By all accounts, Web video is not currently having any effect on the businesses of the cable companies. Market share is moving among cable, satellite and telephone companies, but the overall number of people subscribing to some sort of pay TV service is rising. (The government’s switch to digital over-the-air broadcasts is providing a small stimulus to cable companies.) However, if you remember, it took several years before music labels started to feel any pain from downloads.

As the sour economy and the Web start putting more pressure on the cable companies, they may be forced to consider breaking up the big bundles of channels they now insist that consumers buy and instead offer individual channels or smaller groups of channels on an à la carte basis. Cable companies don’t like this because they want total monthly bills to keep rising. The networks don’t like this because they enjoy having the guaranteed revenue of a monthly fee for every basic cable subscriber. And even for consumers, the current system has some advantages, providing a big range of choices in programming and keeping down costs by avoiding the marketing and billing expenses of charging for each channel separately.

The wedge that breaks all this may well be sports. ESPN alone already accounts for nearly $3 of every monthly cable bill, industry executives say. With all these new sports networks pushing up cable rates, at some point people who aren’t sports fans might start turning in volume to Internet services like Netflix. We’re not there yet, but looking at the industry in the last quarter, you can see the pressures building. 

April 30, 2009

Disney joins Hulu

Filed under: Entertainment, Internet, Media — Tags: , — Raja @ 10:49 pm

Disney joins NBC Universal and New Corp as partner in the joint venture Hulu.

 

Three of the four big broadcast networks now own stakes in Hulu, the popular video Web site.

ABC Enterprises, a unit of the Walt Disney Company, announced Thursday that it would join NBC Universal, which is owned by General Electric and Vivendi, and the News Corporation, owner of Fox, as a partner in the joint venture.

Hulu, which in the last 18 months has become the third most popular video site on the Web, behind YouTube and Fox Interactive Media, displays free, high-quality versions of television shows and movies, supported by advertising. It said it would add ABC shows like “Lost,” “Desperate Housewives” and “Jimmy Kimmel Live” to its online library by late summer, pending regulatory approval.

Anne Sweeney, president of the Disney-ABC Television Group, said that while most of the network’s shows will continue to be available on ABC.com, that site attracts mostly core fans. By distributing them on Hulu, Disney hopes to reach Hulu’s much-larger audience of 42 million visitors a month.

According to people briefed on the terms of the deal, ABC will give Hulu an exclusive license to distribute its shows on Hulu.com and across the Web on Hulu’s partner sites, like MySpace and AOL .com. ABC will also give Hulu around $25 million in marketing credit, which Hulu can use to advertise itself during ABC’s broadcast shows.

In exchange, Disney will take a 28 percent stake in Hulu.com, a little less than the stakes of the joint venture’s founders, NBC Universal and the News Corporation. As part of the deal, NBC and the News Corporation also renewed their commitments to provide their shows exclusively to Hulu for an additional two years.

The deal is a blow to YouTube, owned by Google and by far the largest video site on the Web. It also courted Disney but struck a deal to display only short clips from shows on ABC and ESPN. People familiar with the negotiations said talks between Disney and YouTube broke down over how a deal would be structured, with Disney insisting on owning a stake in any joint venture.

Jeff Zucker, president of NBC Universal and a member of the Hulu board, said the experience on Hulu.com was superior to that on YouTube, for viewers and advertisers.

“Advertisers have made it clear that they want a safe environment unpolluted by videos of cats on skateboards,” Mr. Zucker said. “Couple that with the fact that Hulu has generated a user experience that is second to none. That has made Hulu the pre-eminent video site.”

ABC’s deal with Hulu also isolates CBS, which will be the only major broadcast network without a seat at the Hulu table. In a statement, CBS said it wanted to maintain control over the distribution of its shows online.

CBS has been offered a chance to join the joint venture several times, say people who have followed the continuing discussions, but has always declined. CBS distributes its shows on 300 video sites, including Joost, MSN and AOL. It also withholds some shows from the Web for several days after they are broadcast to ensure that the Web does not cannibalize the more profitable TV-watching audience.

April 26, 2009

Internet enabled TV

Filed under: Entertainment, Internet, Media — Tags: — Raja @ 10:57 pm

Economist has published an informative article of internet TV.

IN THE land of free enterprise and the home of discount shopping, there can sometimes be an appalling lack of competition. High-speed access to the internet is one. Cable television is another. The reason is that in America cable-television companies, which provide a lot of the high-speed access, do not want their customers to cancel their contracts and watch television over the internet instead. Yet a growing number of people are poised to do just that.

At your correspondent’s home-from-home in Japan, he can get broadband at 160 megabits a second from his local cable company for Y6,000 ($60) a month. Compare that with broadband prices demanded by cable companies in America. As they slowly roll out the latest version of their transmission technology, called DOCSIS 3, Comcast and Cablevision want up to $140 a month for a stingy 50 megabits a second. Meanwhile, Time Warner Cable remains in the dark ages with its Road Runner service dribbling out three megabits a second (if you are lucky) for $35 a month.

Shutterstock

Selling broadband connections to the web is the most profitable business for cable companies. They also have better—and cheaper—technology than the phone companies and mobile carriers for doing so. It costs only around $100 a home for the cable companies to upgrade their networks to the latest DOCSIS 3 standard—and that includes providing each customer with a new high-speed modem.

Wiring a neighbourhood with optical fibre—as phone companies like Verizon are doing—costs more than $1,500 a home. In the few places where it can supply the service, Verizon charges $165 a month for 50 megabits a second. In short, the cable companies could easily use their cost advantage to grab a bigger chunk of the lucrative broadband market.

But they are not doing so because they are afraid of the consequences. Cable-television companies make money by selling packages of channels. The average American household pays $700 a year for over 100 channels of cable television but watches no more than 15. Most would welcome the chance to buy only those channels they want to watch, rather than pay for expensive packages of programming they are largely not interested in.

They would prefer greater variety, too—something the internet offers in abundance. A surprising amount of video is available free from websites like Hulu and YouTube, or for a modest fee from iTunes, Netflix Watch Instantly and Amazon Video on Demand. Prices can be as little as a dollar for a television episode or as much as $24 for a new release of a film in high-definition. But the best thing about watching television over the internet is you pay only for what you want—and a lot of the programming is free if you are prepared to wait for a day or so after it has been broadcast.

Consumers’ new-found freedom to choose has struck fear into the hearts of the cable companies. They have been trying to slow internet television’s steady march into the living room by rolling out DOCSIS 3 at a snail’s pace and then stinging customers for its services. Another favourite trick has been to cap the amount of data that can be downloaded, or to charge extortionately by the megabyte.

Yet the measures to suffocate internet television being taken by the cable companies may already be too late. A torrent of innovative start-ups, not seen since the dotcom mania of a decade ago, is flooding the market with technology for supplying internet television to the living room.

Even television makers are getting into the act. The latest digital sets from LG, Panasonic, Samsung, Sharp, Sony and Vizio come with Ethernet sockets ready to be connected to the internet, so they can download video from YouTube, Netflix, Amazon and the like.

April 21, 2009

Free Mobile TV

Filed under: Mobile — Tags: — Raja @ 9:12 am

Soon you may be able to watch TV on your mobile for free.

There’s a nifty new wireless video technology on the horizon, and its best feature is its price: free.

A group of broadcasters and electronics companies has developed a standard called Mobile DTV that will let cellphones and other portable gadgets receive video using a part of the new digital spectrum given to broadcast stations, ostensibly to support their high definition signals.

The group announced Monday that it will start testing the service in late summer in Washington, D.C. Five local TV stations will broadcast their regular programming over the new system, including local affiliates of CBS, NBC, PBS and Ion.

So far, 70 stations in 28 markets have said they will be broadcasting in the format by the end of this year. The technology’s backers say that the equipment to broadcast using the format will cost each station about $250,000.

Right now there are no devices that can receive these signals, but Samsung and LG are two main backers, so there will be phones and other gizmos soon. Dell also announced it will make a laptop that can receive the broadcast signals. Another market will be backseat viewers for cars.

There are other companies working on mobile television services, such as MobiTV and Qualcomm’s MediaFLO . But these are subscription services, and I wonder how many people will want to pay $10 or more a month for another package of video channels.

In the future, the Mobile DTV technology could also be used for subscription video services, but for now it is meant for free simulcasts of the existing broadcast stations. The technology allows each station to broadcast up to 8 simultaneous program streams.

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